{"id":2471,"date":"2020-07-17T07:55:55","date_gmt":"2020-07-17T11:55:55","guid":{"rendered":"https:\/\/valentinaoropeza.com\/the-quarantines-of-leo\/"},"modified":"2022-04-18T08:20:48","modified_gmt":"2022-04-18T12:20:48","slug":"the-quarantines-of-leo","status":"publish","type":"post","link":"https:\/\/valentinaoropeza.com\/en\/the-quarantines-of-leo\/","title":{"rendered":"The Quarantines of Leo"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.16&#8243; bottom_divider_style=&#8221;curve&#8221; bottom_divider_color=&#8221;#ffffff&#8221; bottom_divider_style_tablet=&#8221;none&#8221; bottom_divider_style_phone=&#8221;&#8221; bottom_divider_style_last_edited=&#8221;on|desktop&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_fullwidth_header title=&#8221;<strong>Valentina<\/strong> Oropeza&#8221; subhead=&#8221;Stories&#8221; _builder_version=&#8221;4.16&#8243; title_font=&#8221;Shadows Into Light||||||||&#8221; title_text_align=&#8221;center&#8221; title_text_color=&#8221;rgba(0,0,0,0)&#8221; title_font_size=&#8221;50px&#8221; subhead_font=&#8221;|700|||||||&#8221; subhead_text_align=&#8221;center&#8221; subhead_font_size=&#8221;50px&#8221; subhead_line_height=&#8221;2em&#8221; background_color=&#8221;#000000&#8243; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_type=&#8221;circular&#8221; background_color_gradient_stops=&#8221;rgba(0,0,0,0.3) 0%|#16281b 100%&#8221; background_color_gradient_start=&#8221;rgba(0,0,0,0.3)&#8221; background_color_gradient_end=&#8221;#16281b&#8221; background_image=&#8221;https:\/\/valentinaoropeza.com\/wp-content\/uploads\/2020\/08\/ValentinaOropeza-historias-investigaciones.jpg&#8221; background_blend=&#8221;multiply&#8221; custom_padding=&#8221;100px||100px||true|&#8221; custom_padding_tablet=&#8221;70px||70px||true|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; subhead_font_size_tablet=&#8221;40px&#8221; subhead_font_size_phone=&#8221;30px&#8221; subhead_font_size_last_edited=&#8221;on|desktop&#8221; subhead_text_shadow_style=&#8221;preset3&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;8px||38px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_post_title meta=&#8221;off&#8221; _builder_version=&#8221;4.17.1&#8243; title_level=&#8221;h2&#8243; title_font=&#8221;|700|||||||&#8221; title_text_align=&#8221;center&#8221; title_font_size=&#8221;40px&#8221; title_line_height=&#8221;1.4em&#8221; meta_text_align=&#8221;center&#8221; meta_text_color=&#8221;#000000&#8243; meta_font_size=&#8221;16px&#8221; meta_line_height=&#8221;3em&#8221; custom_margin=&#8221;||60px|||&#8221; hover_enabled=&#8221;0&#8243; title_font_size_tablet=&#8221;30px&#8221; title_font_size_phone=&#8221;30px&#8221; title_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221; featured_image=&#8221;off&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_post_title][et_pb_text admin_label=&#8221;Text&#8221; _builder_version=&#8221;4.16&#8243; text_text_color=&#8221;rgba(0,0,0,0.7)&#8221; text_font_size=&#8221;20px&#8221; text_line_height=&#8221;1.4em&#8221; header_2_font=&#8221;|600|||||||&#8221; header_2_text_color=&#8221;rgba(0,0,0,0.7)&#8221; header_2_font_size=&#8221;25px&#8221; header_2_line_height=&#8221;1.4em&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; text_font_size_tablet=&#8221;18px&#8221; text_font_size_phone=&#8221;&#8221; text_font_size_last_edited=&#8221;on|desktop&#8221; header_2_font_size_tablet=&#8221;22px&#8221; header_2_font_size_phone=&#8221;20px&#8221; header_2_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>The Quarantines of Leo was originally published in <a href=\"http:\/\/factor.prodavinci.com\/lascuarentenasdeleo\/index.html\" target=\"_blank\" rel=\"noopener noreferrer\">Prodavinci<\/a> on Sunday, March 23, 2020.<\/p>\n<p>Image by Leonardo Ram\u00edrez<\/p>\n<p>Leo saw the news on the phone and wrote to his boss. There were several cases of pneumonia from an unknown virus in a city called Wuhan, in central China. No one had died, but Leo proposed to follow the story. He was concerned that a new virus was spreading through a country of nearly 1.4 billion people. It was three weeks before the Chinese New Year, the holiday that causes the largest migratory movement in the world annually. The chief replied that they would wait. They agreed to monitor the information from the office where they worked in Beijing.<\/p>\n<p>Leonardo Ram\u00edrez and western expatriates in China were celebrating the arrival of 2020. The Wuhan Municipal Health Commission reported, on December 31, 2019, that there were 27 cases of viral pneumonia; seven of them were serious. Wuhan is the capital of Hubei province and the most populous city in central China, with 11 million inhabitants.<\/p>\n<p>The statement said that \u201cmany of the pneumonia cases received were related to the South China seafood market in Wuhan.\u201d They assumed that the contagion had started there. The patients had fever, shortness of breath, and some chest x-rays showed lesions in the lungs. So far, \u201cno obvious person-to-person transmission and no infection from medical personnel\u201d had been found. They were working to identify the pathogen, which could be an influenza or parainfluenza virus, a cytomegalovirus, adenovirus, or rhinovirus. The last family of viruses listed in that count was the coronavirus.<\/p>\n<p>Viruses are infectious agents that reproduce within the cells of other organisms. Among the infectious agents that can make a person sick, such as bacteria, protozoa, or parasites, viruses are the most primitive.<\/p>\n<p>Leo moved to Beijing in May 2018, to coordinate the China and Mongolia television team of the Agence France-Presse. He began working at AFP eight years earlier, in the Caracas office, first as a photographer and then as a videographer.<\/p>\n<p>He discovered that he liked to take photos at the age of nineteen, thanks to an analog photography course that his father gave him as a gift in Roberto Mata\u2019s workshop. He was studying Sociology at the Andr\u00e9s Bello Catholic University without much enthusiasm. Among the options available, it was the career that he disliked the least.<\/p>\n<p>Leo felt lost. His grandmother Yolanda had just been diagnosed with Alzheimer\u2019s. After living with her all her life, she couldn\u2019t imagine that she would forget him. While taking pictures of Yolanda when she got lost in her room, Grandpa Jos\u00e9 intervened to protect her from the camera. Despite the fights with Jos\u00e9, Leo discovered that it was easier to cope with the sadness hidden behind the viewer.<\/p>\n<p>Following Grandma every day became a documentary photography project. Jos\u00e9 protested and Leo understood. He had to take responsibility for his presence in painful moments, for insisting on photographing them. With his Andean intransigence, Jos\u00e9 used to take him out and Leo used to find a way to return. When he remembered that his intentions were good, he felt strong. He learned to speak and to be silent as appropriate. On the day Yolanda was buried, seven years after her Alzheimer\u2019s diagnosis, Jos\u00e9 stood in front of the open grave with a flower in his hand. \u201cAnd you\u2019re not going to take a picture of this?.\u201d Leo took out the camera and Jos\u00e9 threw the flower over the urn.<\/p>\n<p>His second documentary project came about by chance. An activist had an organization to help former inmates to reintegrate into society. He invited Leo to photograph a Christian salsa concert in the El Rodeo prison, 52 kilometers from Caracas. Prison guards rarely went through women\u2019s bags, so Leo passed the camera inside a Christian woman\u2019s bag. They sealed his arm and gave him a number. When he entered the jail, the smell of shit, stale urine and dried blood enveloped him. He couldn&#8217;t discriminate, he stunk of everything together.<\/p>\n<p>They first visited the \u201cpran\u201d (the leader of the prison) in his room. There was a large fish tank, a glass table with many perfumes, a double bed, and air conditioning. Blessed with permission to roam the prison, they stepped out into the hall and encountered some boys fighting with a knife. Leo looked around cautiously to not challenge anyone, and he spotted a group of prisoners crouched in a corner. They sold candy and had their mouths sewn up. A pastor approached them and Leo followed behind. The corners of their lips had been sewn together, a prison code that protect them from being killed. They ate and spoke through the free space in the center of their mouths. They were called \u201clos anegados\u201d. Leo asked if he could photograph them and they refused.<\/p>\n<p>\u2014Why do you want to take photos of us?\u2014 The group leader asked.<br \/> \u2014To show this. A lot of people outside have no idea that you sew your mouths, \u2014Leo replied.<br \/> \u2014If you want to take the picture, fine. But it has to be from far away so that my face is not recognized, \u2014the prisoner told him.<br \/> \u2014It&#8217;s no use to me by far.<\/p>\n<p>Then Leo found the angle.<\/p>\n<p>\u2014What do you think if I rather make a portrait of your mouth? Can I take a test photo?<\/p>\n<p>Leo took out the camera and got very close to the talking prisoner. He took the photo and showed him the screen. When he saw that only his lips, thread, and whiskers appeared, the man agreed. Four more anegados posed. Aware that he had valuable material, Leo wondered how he would get out of jail without having his memory card erased. Surrounded by prisoners, shepherds, and flooded, he pulled out the card and stuck it in a broken sole of one of the Converse he was wearing that day. The rest of the day he walked sideways, as if he had a cramp, without completely stepping on the corner that housed the images.<\/p>\n<p>With Yolanda\u2019s pictures, Leo won a grant to show his work to veteran photographers of the Photo Espa\u00f1a festival. For the series of portraits of Los Anegados, he came in third place in the Photo of the Year award for Latin America in 2011. A couple of years earlier he began to cover news at six in the morning for the newspaper \u00daltimas Noticias, but they didn\u2019t hire him.<\/p>\n<p>He covered Hugo Ch\u00e1vez for the Associated Press between 2009 and 2010. Photographing Ch\u00e1vez got him thinking about how to get the best photo, one that would differ from those taken by other agency colleagues. AP did not have a permanent position for him either.<\/p>\n<p>Covering a temporary position at the newspaper L\u00edder en Deportes woke up an adrenaline rush that he hadn\u2019t experienced before. He photographed the Venezuelan football team La Vinotinto when they beat Argentina in Puerto La Cruz, during the 2011 play off for the World Cup in Brazil. He understood that there were no second chances to portray a goal. He wanted to do photojournalism. That\u2019s why he was excited when he was called by AFP in May 2010.<\/p>\n<p>To continue reading The Quarantines of Leo in Spanish, <a href=\"https:\/\/valentinaoropeza.com\/en\/the-quarantines-of-leo\/\">click here<\/a>&#8230;<\/p>\n<p>[\/et_pb_text][et_pb_post_nav _builder_version=&#8221;4.16&#8243; title_font=&#8221;|600|||||||&#8221; title_text_color=&#8221;#660b30&#8243; title_line_height=&#8221;2em&#8221; custom_padding=&#8221;5px|20px|5px|20px|true|true&#8221; border_radii=&#8221;on|30px|30px|30px|30px&#8221; border_width_all=&#8221;1px&#8221; border_color_all=&#8221;#660b30&#8243; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_post_nav][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Leonardo Ram\u00edrez was the only videographer in the world who filmed the beginning of the quarantine in Wuhan. This is a portrait of the first confinement of the covid-19 pandemic.<\/p>\n","protected":false},"author":2,"featured_media":2205,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[28],"tags":[],"class_list":["post-2471","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stories"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Quarantines of Leo - Valentina Oropeza - Stories<\/title>\n<meta name=\"description\" content=\"The Quarantines of Leo - Valentina Oropeza - Leonardo Ram\u00edrez was the only videographer who filmed the beginning of the quarantine in Wuhan.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/valentinaoropeza.com\/en\/the-quarantines-of-leo\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Quarantines of Leo - 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